Identity area
Reference code
Title
Date(s)
- n.d. (Creation)
Level of description
Item
Extent and medium
3 botanical paintings
Context area
Name of creator
Biographical history
Australian Dictionary of Biography http://adb.anu.edu.au/biography/pink-olive-muriel-11428
Name of creator
Biographical history
Attended Mrs H. Barnard's Ladies' School in 1887-93, and was trained in the domestic arts by her mother. On leaving school she worked as a retoucher at Richard McGuffie's photographic studio. In 1896-1901 she studied painting, modelling, life-drawing and china-painting at Hobart Technical School under Benjamin Sheppard. In 1898-99 she spent six months at Julian Ashton's art school in Sydney. Early in 1909 Miss Lovett moved to Sydney and in 1910 succeeded Long as second-in-charge of Ashton's Sydney Art School. Until the mid-1930s she exhibited regularly with the Art Society of Tasmania and the Society of Artists, Sydney, serving on the latter's committee in 1911-19. More information : http://adb.anu.edu.au/biography/lovett-mildred-esther-7249
Returning to Hobart Miss Lovett painted miniatures, gave private tuition and in 1906-08 taught modelling and life-drawing at Hobart Technical School. Lucien Dechaineux encouraged her to start china-painting classes, and supplied her with designs from native flora. In 1909 in Art and Architecture Ashton praised her 'superior' china-painting. A vase she painted that year from a design by Sydney Long (Art Gallery of New South Wales) is one of the most characteristic examples of Australian Art Nouveau work.
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Three botanical paintings by Mildred Lovett - Olive Pink’s artist friend and fellow student
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
This material is made available for personal research and study purposes under the University of Tasmania Standard Copyright Licence. For any further use permission should be obtained from the copyright owners. For assistance please contact Special.Collections@utas.edu.au
When reusing this material, please provide the following acknowledgement:
“Courtesy of the UTAS Library Special & Rare Collections and the Olive Pink Estate”