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Private Deposit Collection : University of Tasmania Library Special and Rare Collections Australia Item
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Identity

Three items belonging to W. E. Fuller -Identity card, 1941; visiting cards (Collins Street) and Passport, 1954.

William Edwin Fuller

Isotoma

Watercolour on card sketched by Olive Pink, Pine Hill Station (near boulders), 1942. Identified by Olive Pink as Isotoma

Olive Pink

Isotoma petraea

Pencil on paper sketched by Olive Pink, Macdonnell Ranges, Northern Territory 26/11/30. Identified by Olive Pink as Isotoma petraea

Olive Pink

Isotoma petraea

Coloured pencil on paper sketched by Olive Pink, Macdonnell Ranges, Northern Territory 28/11/30. Identified by Olive Pink as Isotoma petraea "goonboonbu in Aranda Country"

Olive Pink

Jonidium

Pencil and watercolour on paper sketched by Olive Pink, Tortanga Quatcha, Macdonnel Range, Northern Territory, 26/11/30. Identified by Olive Pink as Jonidium

Olive Pink

Jorgen Jorgenson

Correspondence and article relating to Jorgen Jorgensen also copies of diaries : including Journey to Ouse Plateau, repat of Jorgensen to V.D.L. Co. on route between Hobart and Circular Head, and Journal kept while exploring from Circular Head to the Pieman River, 1826-1827

Archibald Lawrence Meston

Kochia

Watercolour on paper, painted by Olive Pink at Edwards Creek, South Australia, 26/7/30. Identified by Olive Pink as Kochia

Olive Pink

Kochia tomentosa

Watercolour and coloured pencil on paper painted by Olive Pink, Edwards Creek, South Australia, 26/7/30. Identified by Olive Pink as Kochia tomentosa

Olive Pink

Lavatera plebeia

Coloured pencil on paper sketched by Olive Pink at Callanna Reservoir, South Australia 20-21/7/30. Identified by Olive Pink as Lavatera plebeia

Olive Pink

Lavender (coloured) bush

Watercolour on paper sketched by Olive Pink, Thompsons Rock Hole, 1943. Identified by Olive Pink as Lavender (coloured) bush in spinifex country

Lecture notes

Lecture notes for Medical Studies, Edinburgh. Notes on "Dr Horne's lectures on the practice of physic", including a description of various illnesses and notes on the treatment.

George Fordyce Story

Loranthus amplexans

Pencil and coloured pencil on paper sketched by Olive Pink, Darwin, Northern Territory 27/10/30. Identified by Olive Pink as Loranthus amplexans, Mistletoe

Olive Pink

Loranthus exocarpi

Water colour on paper painted by Olive Pink at Beltana, South Australia, 19/7/30 Identified by Olive Pink as Loranthus exocarpi

Olive Pink

Loranthus exocarpi

Coloured pencil sketched by Olive Pink, Warraweena, Beltana, South Australia 19/7/30 Identified by Olive Pink as Mistletoe Berry - Loranthus exocarpi

Olive Pink

Loranthus miguelii

Water colour and pencil on paper sketched by Olive Pink, Jay Creek, Northern Territory 27/12/30. Identified by Olive Pink as Loranthus miguelii "veins in leaves lighter and more yellow than leaf - flowers bright red"

Olive Pink

Loranthus migulii

Pencil on paper sketched by Olive Pink, Jay Creek, Northern Territory (no date). Identified by Olive Pink as Loranthus migulii

Olive Pink

MA diploma, University of Aberdeen

MA diploma, University of Aberdeen 1821. Awarded to George Fordyce Storey. Parchment document in Latin with signatures of moderators of the University, seal tag of blue and pink silk but seal missing.

George Fordyce Story

Mamre House

House built by Rev. Samuel Marsden, St. Mary's, N.S.W.
Print by K. Hill

Mamre House is an 85-hectare property at Orchard Hills in Sydney's west, part of Reverend Samuel Marsden's original South Creek farm established in 1804. Mamre Homestead, built c1820s, was the home of this colonial chaplain, magistrate and pastoralist. It was the working farmhouse of a busy rural property, a model farm which included orchards, exotic pasture and other crops.

Samuel Marsden, in his work at Mamre farm, pioneered the Australian wool industry by importing and breeding the famous merino sheep.

George Musgrave Parker

Mathiola

Water colour on dark card sketched by Olive Pink, (place and date unknown) Northern Territory. Identified by Olive Pink as Mathiola?

Olive Pink

MD. diploma, Edinburgh University

MD. diploma, Edinburgh University 1824. Diploma of Doctor of Medicine of King James VI College, Edinburgh (later Edinburgh University) awarded to George Fordyce Storey, the subject of his dissertation being, "acute hydrocephalitis", in Latin, signed by the Principal and by members of the Faculty of Medicine, seal tag of blue silk but seal missing.

George Fordyce Story

Medical memoranda I

Alphabetical memoranda on medical subjects A - L. Title written in Greek on cover with quotation from Ecclesiasticus ch. 38 v. 4

George Fordyce Story

Medical memoranda V

Notes, neatly written, on diseases and medicines, including recipes and also recipes for furniture polish, silk dye, lemonade powder, ginger beer.

George Fordyce Story

Microfilm : Amos family papers

  1. Diary of Adam Amos (1774-1845), May 1822 - Dec 1825. A record of chief happenings in the district of Great Swan Port of which he was Chief District Constable, including notes of musters and convict passes, with names.
  2. Adam Amos (1774-1845), letters outward, 1807-1844, mostly to his sons.
  3. Adam Amos (1774-1845, letters inward, 1833-1841, including receipts. 4. James Amos (1804-1864), letters inward, 1837-1850.
  4. James Amos (1804-1864), will.
  5. Letters from George Meredith to his wife Mary, nee Evans, 2 Mar 1823 & 25 Apr 1825.
  6. Letter from George Meredith jun. to Mary Meredith (nee Evans), 6 Aug 1833.
  7. Letter from Maria, Mrs John Meredith (nee Hammond), to her daughter Jessie Meredith, 3 May 1885.
  8. Letter to Captain Thomas Watson sen. From niece EN Rayner (?), 13 Oct 1835.
  9. Letters to Capt. T Watson sen. From George Vaux, 18 Mar 1837 & 10 Nov 1838.
  10. Bill of lading for the shipment from Leith of 4 harrows and 2 ploughs, 23 Jul 1814.
  11. Copy of map in Survey Office signed by J H Wedge, 7 Oct 1826, of grant of George Meredith for 2,000acres at Great Swanport, and a description in handwriting of George Frankland, of additional grant of 1,000 acres.
  12. Letter to Mrs Mary Lyne from Jessie Amos (?), 10 May, 2 Oct.
  13. Letter from Elizabeth Lyne to Mary Amos, n.d.
  14. Letter to Mary Amos from?, 5 May 1839.
  15. Letters from Mrs Louisa Bell (nee Meredith) to Margaret Amos (1809-1896), 26 Aug 1885 & 2 Apr 1886.
    I 7. Letter from Adam Amos to ? , 19 Oct 1872.
  16. Adam Amos to ? Mrs Amos, 1873.
  17. Diary of John Amos, 1 Jan 1840-May1843.
  18. Manuscript copy in 1880-1900 style writing, of "Grandfather Amos' Diary", 1 Jan 1854-21 Jan 1858.

Amos Family

Microfilm : Amos family papers

  1. Receipt book of half and quarter yearly rent paid by James Amos (father of Adam and John (1776-1848), as tenant of Heriot Mill, Galawater, including later editions (1779), of cash expenses of mill, 1774-1845.
  2. Account book of Amos Mill, Cranbrook, VDL, 1824-1836.
    1. Diary of Adam Amos (1807-1874), June 1839
    2. Letterbook (or minute book) of Trustees of estate of John Lord, 1829-1833, including correspondence of Derwent Steam Navigation Company

Amos Family

Miscellaneous items

Collection consists of two files of postcards, cuttings, photographs and brochures

William Edwin Fuller

Moonaba - story of a family by Nellie M. Buckley

Photocopy of a script of story by Nellie M. Buckley. entitled 'Moonaba -story of a family", dated 1965.
Typescript in file folder with photograph of elderly woman, neatly dressed in black silk suit, also younger woman.

William Edwin Fuller

Music

William Edwin Fuller

Myriocephalus stuartii

Coloured pencil on paper sketched by Olive Pink at Edwards Creek, South Australia, 25/7/30. Identified by Olive Pink as Billy Buttons, Myriocephalus stuartii

Olive Pink

Native cotton

Pencil, some coloured on paper sketched by Olive Pink, 58 miles from Darwin, Northern Territory 26/10/30. Identified by Olive Pink as native cotton - " lemon hybiscus like flowers- naturalised cotton - thought not indigenous?"

Olive Pink

Newspapers

Collection of newspapers and magazines
• The Mercury, 1 May 1935 (Royal Jubilee supplement), 1 June 1935 and 20 February 1954 (Queen's visit).
• Illustrated Tasmanian Mail - 6 November 1929.
• Clemes College Souvenir Magazine December 1945 (including tribute to W. H. Clemes with photograph and history of the school)
• Cutting of 'Memories of Queenstown No.1" by C. R. Pearce.
• ''The Lover's Correspondent", London, N.D. [18--]

William Edwin Fuller

Nicotiana suaveolens

Coloured pencil on dark card sketched by Olive Pink, (place and date unknown) Northern Territory. Identified by Olive Pink as Nicotiana suaveolens

Olive Pink

Nicotiana suaveolens

Pencil on paper, sketched by Olive Pink at Rodinga, Northern Territory, 15/9/30. Identified by Olive Pink as Nicotiana suaveolens "nicotine plant opens at night dainty scent"

Olive Pink

Nulyubi vine

Water colour and pencil on paper sketched by Olive Pink, Thompsons Rock Hole, 16/12/42. Described by Olive Pink as " aboriginal name Nulyubi (vine) don't know whites name - a very strong vine - the aboriginies use in place of string - twine - dull surface, berries".

Olive Pink

Obituary

Obituary notice for W. E. Fuller from Booksellers' Association, also from the Mercury newspaper

William Edwin Fuller

Oxylobium

Pencil and watercolour on paper sketched by Olive Pink, Macdonnel Range, Northern Territory, 28/11/30. Identified by Olive Pink as Oxylobium

Olive Pink

Painting's and prints - Tasmanian scenes

Paintings and prints - Tasmanian scenes by Roy Cox, crayon and wash drawings, 1945:­ Salamanca Place, Hobart - Kelly's Steps, Hobart - Old Signal Station, Hobart - G.P.O., Hobart - Government House , Hobart. Also post-card reproductions of the above, plus Hobart Bridge and Ross Bridge.
Coloured engraved, reproduction from the original painting held in the Allport Library Tasmania of Joseph Lycett's View from top of Mount Nelson with Hobart Town in the distance, V.D.L. Published by J. Souter, 1825, printed. J. Walch & Sons, 1974.

William Edwin Fuller

Parachylia

Pencil on paper sketched by Olive Pink at Edwards Creek , South Australia. (no date) notes on page "five long ones underneath five short on top then smaller leaves on to of these - rough sketch from nature (as far as arrangement went) five long 3 short and one almost long. Root about 3 inches long, white with little roots. Sunset shades (in mesembrianthemum foilage) and puce-petunia flowers" Identified by Olive Pink as Parachylia

Olive Pink

Petalostylis labicheoides

Coloured pencil on paper sketched by Olive Pink, Near Granites, Northern Territory, no date. Identified by Olive Pink as Petalostylis labicheoides "Mulga Plain Country"

Olive Pink

Photograph of Wallaby and Des

Black and white photo probably taken by Olive Pink –annotated on back as: “Wallaby” and “Des”, July 1941 –on termite mound –
‘When we three went on an exploring expedition on foot’.

Olive Pink

Photograph of " My Wurley"

One small black and white photograph - captioned ‘My Wurley’ –temporary accommodation. Once a Mohammedan prayer room.

Olive Pink

Photograph of aboriginal children swimming in a waterhole

Black and white photograph by Olive Pink of a group of aboriginal children swimming in a waterhole in Central Australia, 1934, with inscription on the back by Olive Pink, 'Native children playing in water-hole - Central Australia.' Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.

Olive Pink

Photograph of Home Hut

Black and white photograph of two gum trees planted by mistake in one drum. Called them Naomi & Ruth. Two fig trees in the background.

Photograph of my native guide

Black and white photograph taken by Olive Muriel Pink of her aboriginal guide, near Alice Springs, Central Australia, 1934, with inscription on the back by Olive Pink, 'My native (guide, factotum and friend!) a full-blooded Arunda on our way to Mt Gillen (in distance) He is carrying my waterbag and kit'. Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.

Olive Pink

Photograph of Olive Muriel Pink sitting on a camel, Larry

Black and white photograph of Olive Muriel Pink sitting on a camel, 'Larry', in Central Australia, 1934, with inscription on the back by Olive Pink 'Larry says " If I cannot be in the centre of the picture I'm not going to show my face!" Darkie says "Oh bother you! Well just my ears then!".'Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.

Olive Pink

Photograph of Olive Pink and friends

1 sepia photograph of camp at Professor Lyndhurst Falkiner Giblin's Farm - Cobbler's End, Tasmania. Picturing Olive Pink, Florence Rodway, with mop and basin, Mildred Lovett with grid iron as harp, and Ursula Walker

Olive Pink

Photograph of Olive Pink and the the camel Quart-pot

Black and white photograph of Olive Muriel Pink standing next to a camel, 'Quart-Pot', in Central Australia, 1934, with inscription on the back by Olive Pink, '"Quart-pot" and Olivia - (ready for anything!)' Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.

Olive Pink

Photograph of Quart-Pot and Mangy, and aboriginal guide Jim

Black and white photograph of Olive Muriel Pink standing next to two camels, 'Quart-Pot'and 'Mangy', with her aboriginal guide Jim at a Central Australian waterhole, 1934, with inscription on the back by Olive Pink, 'To dear Mrs Walker - with love from Olive, Jim, (guide), "Quart-Pot, Olive and "Mangy"!!! (in order, from R to L!!) at a C. Aus. water-hole.' Photographs sent with a letter to her friend Joan Walker in Hobart, Tasmania.

Olive Pink

Photograph of Westcott's Bookshop and circulating library

Photograph of Westcott's Bookshop and circulating library, Collins Street, Hobart. Standing outside are Mr Westcott and a little girl, Till, wearing a pinafore. The photograph shows the shop of John Andrew, Bellhanger. The photograph was made by the University photographer from an original 'stereoscopic' photograph (i.e two adjacent photographs mounted on card to be viewed through a special viewer), made by S. Clifford, Hobart Town. The original was endorsed 'The little girl with pinafore Auntie Till, Dad in his
shirt sleeves standing next to her. Fitzgerald's building now; M. Westcott 4.7.32'.
In this photograph street numbers are not visible. Westcott's circulating library sign is shown on the middle shop in a two-storey brick building, with three shops. The shop on the right has the sign 'Depot Christian Knowledge Society'. The shop on the left has a sign, part of which can be read under a magnifying glass as 'wool warehouse', and underneath on the shop lintel is a faint sign which may include the word 'bookseller" On the right of the photograph a small weatherboard shop bears the sign 'Andrew, Bellhanger'. - W. Westcott of 63 Collins Street, advertised new and second-hand books and a circulating library in Wood's Tasmanian Almanac, 1856 (p.126). The same advertisement appears in Walch's Tasmanian Almanac, 1864, but in the 1865 Almanac the address is given as 63 & 65 Collins Street. However, Hull's Hobart Town Directory, 1859 lists W. Westcott as 65 Collins Street', (65 being apparently the middle shop), so possibly both premises were already occupied by Westcott. By 1871 it had become Westcott's Circulating Library, 63, 65 &67 Collins Street. In 1879 the advertisement read (Westcott, Beedham & Co. circulating library and importers of books, stationery and music', The last advertisement in Walch's almanac appeared in 1881. The Christian Knowledge Society (Tasmanian Auxiliary, President the Lord Bishop of Tasmania}, for which Westcott acted as depository was first listed in Walch's Almanac under (Societies and Institutions) in 1869 (p. 132). John Andrew, Bellhanger, Collins Street, advertised in Wood's Almanac in 1856 (p. 148L and is listed in HuWs Hobart Town Directory of 1859 at 61 Colllns Street. He does not appear in Walch's Almanac of 1863 or any later date, nor was he listed in Macphail's National Directory of Tasmania, 1867-68. S. Clifford, photographer, Liverpool Street, Hobart Town (photographer of album and stereographic portraits, private buildings, shipping, monuments....L advertised in Walch's Almanac of 1864 (p. 43) and again annually up to 1869. It would seem, therefore, that the photograph was probably taken between 1863 and 1869. It is a clear photograph of exceptional quality.

Kenneth McKenzie Dallas

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