Pink, Olive (Abstract) ‘A few notes on the uses to which the Arunda and Arabanna tribes of Central Australia put their Indiginous Flora. P. 177 in Report of the 21st meeting of ANZAAS, Sydney, 1932, Volume XXI Abstract of a paper by Olive Pink presented at ANZAAS meeting in 1932. Inscribed by her ‘Olive Pink (erased), Dept of Anthropology, the University of Sydney, Sept, 1933
Berndt, R. M. Aboriginal Sleeping Customs and Dreams, Ooldea, South Australia. Reprint Oceania, March 1940, Vol. X No.3 Owned by Olive Pink and signed by the author for her
One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve. Noting location of Mt Gillen, part of MacDonnell Range, entrance gate and driveway to hut, driveway for sanitary truck
One of eight annotated black and white photographs of the site of the Arid Regions Native Flora Reserve. Noting location of (Elec) Power Stn Rd, MacDonnell Ranges, Todd River Eucalypts
Ayers Rock –Mt Olga National Park. NT Reserves Board, 1967 Inscribed ‘Miss Pink with compliment from the Chairman (Lionel Rose) who is also the Author. 1 Aug. 1969’
Copy of The Bedford Magazine–dated December 1913-Magazine of Bedford College, Strathfield, Sydney -girls school where Olive Pink taught art. On page 11 reference to Miss Pink taking a party of girls to the Art Gallery and on page 17 an article ‘Western Australian Flowers’ by Olive Pink
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink sketch on card made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland. Captioned (Charlton Ed) for Sydney Mail
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Indian ink with some colour sketch on tracing paper made by Olive Pink between 1940 and 1941. From a collection of sketches made in New South Wales, Tasmania and a few in Queensland.
Johnson, Robert Central Australia, Land of Colour as seen by Australian artist Robert Johnson. 1963 Olive Pink note on the back To Olive Pink (Alice Springs) from Olive and Robert Johnson (Sydney) 1963.
Chippendale, G. M. Check List of Central AustralianPlants. Reprint from Transactions of the Royal Society of South Australia, vol 82 1959. Inscribed ‘With regards George Chippendale’ , and ‘Received on July 27th1959’ by Olive Pink.
a. 1 Velvet beaded waistcoat/vest b. 1 Cream lace short sleeved blouse c. 1 Cream lace shawl d. 2 Cream lace dresses/over-dresses e. 1 Pair of cream gloves with fur trim f. 1 Cream satin scarf/cravat g. 1 Cream satin sash
Includes - Annotated envelope containing original printing plate of Olive Pink bookplate by Adrian Feint and letter from Feint to Olive Pink by the Society of Artists.
Copper etching plate of bookplate , “Simplicity, Beauty, Honesty, Trust –Olive Pink”. 2 .Letter from Adrian Feint to Olive Pink 28. 5. 1929
Envelope containing the above items -written on by Olive Pink
Brogden, Stanley Darwin Holiday -1948 Owned / signed by Olive Pink 1949. Inscriptions/notes by Olive Pink on title page, contents and throughout the book
a) Orange/Yellow and white striped hatband and metal badge Above items contained in the above Kodak photo envelope with annotations:-Miss Clark’s –Girls’ High School” Hobart, Tasmania -Hat badge and band (Olive’s), (private not State School). In old Barracks. Davey St and Barrack St. b) Photograph of Gym class at Girls’ High School–postcard from Olive’s school friend Ursula Walker to Olive in Perth c. 1910
1 handwritten note on paper - A kind of wild Hybicus [Hybiscus] which they stupidly call the "Desert Rose". Hardly anything less like "a rose" I cannot imagine. The buds however do look a tiny bit like rose buds (if one has plenty of imagination!)
Orange/Yellow and white striped hatband and metal badge embossed with decorative GHS from Miss Clark’s –Girls’ High School” Hobart Tasmania -Hat badge and band (Olive’s), (private not State School). In old Barracks. Davey St and Barrack St Hobart.
Includes - 1.Julian Ashton Jan 11 1914 –Reference written for Olive by Julian Ashton, Principal of the Sydney Art School, Queen Victoria Markets.
Julian Ashton to Olive 28 .2. 1923 –regarding using his name as a referee and the dropping of the Exhibition of Applied Art Work by the Society of Artists.
Julian Ashton to Olive 27.7.1924 in praise of her leather work and lamenting the difficulty of making a living through artwork.
Black and white photograph of Olive Pinks lower room flat in Hobart. Once Dot Millers home, a girl with whom Olive went to school. Noting field of daisies around the fountain
Booklet entitled Native Welfare in Australia by Paul Hasluck published in Perth 1953. Paul Hasluck was a friend of Olive Pink–annotated by her with dates of his speeches